Reviews
- 'Pitch-perfect performances'
- 'The acting is impeccable. Highly recommended'
- ‘There’s something about the austere, incantatory quality of Gill’s writing that disturbs and thrills, intensifying our appreciation of life’s mystery and difficulty.’
'Gill's production is, like his writing, spare and pungent, and beautifully and precisely acted'- ‘With 21st- century aesthetics so often a hi-tech multisensory bombardment, its [SMALL CHANGE] economy is sharp, almost cleansing. Its passions presented without fanfare but with stark grace’
- 'One of Gill's best plays: a vivid reminder that working-class realism can be poetic, swift and resonant'
- ‘With only four actors, four chairs and a raked platform, Gill’s production beautifully conjures up a world of lost passion’
- 'An excellent Donmar revival'
- 'Gill has a keen ear for the niceties of working-class speech and he arranges the dialogue like a musical score with recurring motifs that communicate the psychological claustrophobia of these inter-dependant lives'
- 'Emotionally pitch-perfect performances from a superb company'
- 'Unforgettably touching'
- Critics' Choice 'It's a gem'
- 'Lindsey Coulson and Sue Johnston are superb'
- 'Ryan is particularly scintillating and should be a major star'
- 'Vincent whose awkwardness with his underlying sensitivity is movingly conveyed by Luke Evans'
- 'Gill himself directs this handsome revival at the Donmar Warehouse'
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