Holly Khan

Holly is a British/Guyanese composer, sound designer and multi-instrumentalist, creating scores for theatre, film and installation. 
 
Her most recent theatre work includes: Lavender, Hyacinth, Violet, Yew; Statues; Dreaming and Drowning (Bush Theatre); The Little Mermaid (Bristol Old Vic); Bellringers - OFFIE nominated for Best Sound Design; This Much I Know; Biscuits for Breakfast; Olivier nominated Blackout Songs (Hampstead Theatre); Our Country’s Good (Lyric Hammersmith); Red Speedo; Northanger Abbey (Orange Tree Theatre); Sam Wu is not Afraid of Ghosts (Polka Children’s Theatre); Tess (Turtle Key Arts / Sadlers Wells); Laughing Boy; Jules and Jim (Jermyn Street Theatre); Sylvia (English Theatre Frankfurt GMBH); The Invincibles (Queen’s Theatre Hornchurch); I Really Do Think This Will Change Your Life (Colchester Mercury); Duck (Arcola); For A Palestinian - OFFIE nominated for Best Sound Design (Bristol Old Vic/ Camden People's Theatre); Amal Meets Alice (Good Chance Theatre Company / The Story Museum); Kaleidoscope (Filskit Theatre Company / Southbank Centre/Oxford Playhouse) and Ticker (Alphabetti Theatre, Newcastle / Underbelly, Edinburgh/Theatre503).

Film and Installation work includes: The Pigeon (Messy films Ltd); Becoming An Artist: Bhajan Hunjan (Tate Kids); One Day (Blind Summit Theatre, Anne Frank Trust); Sanctuary (Limbic Cinema, Stockton Arts Festival); Song for the Metro (The Sage Music Centre, Newcastle); It's About Time (UN Women/ Battersea Arts Centre/ Mayor of London) and Their Voices (RAA, Global Health Film Festival, Barbican).