Sally Ferguson

Her work as a Lighting Designer includes: What We Talk About When We Talk About Anne Frank (Marylebone Theatre); Aladdin (Lyric Hammersmith); Whitby Rebels; Brief Encounter; The Offing (Stephen Joseph Theatre); Red Speedo; Jess and Jo Forever (Orange Tree Theatre); A Child Of Science (Bristol Old Vic); Duchess Of Malfi; The Merchant of Venice (Shakespeare’s Globe); The Homecoming; Tribe (Young Vic); Sam and Her Amazing Book Of Dinosaurs (HKCC, Hong Kong Ballet); Faustus; That Damned Woman (Storyhouse); Dick Whittington (Nottingham Playhouse); A Midsummer Night’s Dream (Shakespeare North Trust); Favour; Strange Fruit; An Adventure (Bush Theatre); Mum (Theatre Royal Plymouth/ Soho Theatre); Anything Is Possible If You Think About It Hard Enough (Southwark Playhouse); Two (New Vic Theatre); Pippi Longstocking (Royal & Derngate); The Last King Of Scotland (Sheffield Crucible); The Importance of Being Earnest (Watermill Theatre); Snow White (The Wrong Crowd); Honour; Building the Wall (Park Theatre); To See The Invisible (Aldeburgh Festival); Again (Trafalgar Studios); Richard III (Perth Theatre); 31 Hours (Bunker Theatre); Aladdin (Watford Palace Theatre); Educating Rita (Queen’s Theatre Hornchurch); While We’re Here (Farnham Maltings); Sweet Charity (Manchester Royal Exchange) and And Then Come The Nightjars (Theatre 503).