In 2012, Phyllida Lloyd’s all-female production of Julius Caesar placed the play in a women’s prison. It transferred to St. Ann’s Warehouse, Brooklyn, stunned audiences on both sides of the Atlantic and demanded a new answer to the question ‘who owns Shakespeare?’ In 2014, Phyllida reunited with actor Harriet Walter in both London and New York for Henry IV, the second instalment in this trilogy of works from these major artists.
Following its London premiere in Autumn 2016, in January 2017 the transatlantic project concluded with The Tempest.
★★★★★ ‘There have been many high-profile Shakespeare productions on this anniversary. Lloyd’s Tempest is my favourite’ The Independent
★★★★★ ‘This is genuinely art to enchant’ The Guardian
★★★★★ 'Repeatedly takes the breath away' WhatsOnStage